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鲍沁星, 李雄. 南宋以来古典园林叠山中的“飞来峰”用典初探[J]. 北京林业大学学报(社会科学版), 2012, 11(4): 66-70.
引用本文: 鲍沁星, 李雄. 南宋以来古典园林叠山中的“飞来峰”用典初探[J]. 北京林业大学学报(社会科学版), 2012, 11(4): 66-70.
BAO Qin-xing, LI Xiong. Rockery Art about Feilai-Hill Allusions in Chinese Classical Gardens since Southern Song Dynasty[J]. Journal of Beijing Forestry University (Social Science), 2012, 11(4): 66-70.
Citation: BAO Qin-xing, LI Xiong. Rockery Art about Feilai-Hill Allusions in Chinese Classical Gardens since Southern Song Dynasty[J]. Journal of Beijing Forestry University (Social Science), 2012, 11(4): 66-70.

南宋以来古典园林叠山中的“飞来峰”用典初探

Rockery Art about Feilai-Hill Allusions in Chinese Classical Gardens since Southern Song Dynasty

  • 摘要: 从飞来峰的用典文化出发,探讨了园林叠山中作为解释学依据而出现飞来峰意向的由来。对明清园林叠山中的飞来峰用典进行分析和考察,指出这些用典的意义不仅在于营造园林假山本身,也是造园者表达自身情感和思想的方式。在研究古典园林叠山时需要重视飞来峰用典,其背后复杂的文化现象值得进一步深入思考和研究。

     

    Abstract: This paper discusses the origin of FeilaiHill allusions in light of hermeneutics in rockery making of classical gardens. FeilaiHill allusions in Ming and Qing dynasties are analyzed and explored. It points that significances of allusions are not only building rockery in gardens but also the way of expressing garden owners’ feeling and thinking. Researchers should pay more attention to FeilaiHill allusions when studying the rockery of classical gardens. The underlying culture phenomenon deserves deep thinking and study.

     

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