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李萌, 黄心渊, 郑铁军. 景观动画理论研究及其在电影美术中的应用[J]. 北京林业大学学报(社会科学版), 2012, 11(4): 84-90.
引用本文: 李萌, 黄心渊, 郑铁军. 景观动画理论研究及其在电影美术中的应用[J]. 北京林业大学学报(社会科学版), 2012, 11(4): 84-90.
LI Meng, HUANG Xin-yuan, ZHENG Tie-jun. Landscape Animation Theory and Its Application in Film Art[J]. Journal of Beijing Forestry University (Social Science), 2012, 11(4): 84-90.
Citation: LI Meng, HUANG Xin-yuan, ZHENG Tie-jun. Landscape Animation Theory and Its Application in Film Art[J]. Journal of Beijing Forestry University (Social Science), 2012, 11(4): 84-90.

景观动画理论研究及其在电影美术中的应用

Landscape Animation Theory and Its Application in Film Art

  • 摘要: 景观动画集是数字化多媒体技术时代景观设计表现的一种新形式。从景观动画的本质和形式入手,根据长镜头理论的纪实美学特性,对景观动画理论研究及其在电影美术中的应用进行归纳和总结,分析了景观动画的纪实美学特性、技术特性和影视作品特性三重特性。结合电影《赵氏孤儿》中虚拟场景的美术设计案例,展示了景观动画从设计理念、设计过程到实现效果的整个过程。

     

    Abstract: Landscape animation is a new form of landscape design performance in the digital multimedia era. From aspects of essence and form of landscape animation, this paper summarizes the research of landscape animation and its applications in film art according to the documentary aesthetic of long take theory. The authors analyze three characteristics of landscape animation, i.e. documentary aesthetic feature, technical feature, and film art feature. Combining with the case of the virtual scene design in the movie Zhao’s Orphan, the paper shows the whole process of landscape animation from design concept, design process to result achievement.

     

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