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李超, 田国行. 艺术学角度的“动感”及其在景观设计中的运用[J]. 北京林业大学学报(社会科学版), 2012, 11(1): 44-48.
引用本文: 李超, 田国行. 艺术学角度的“动感”及其在景观设计中的运用[J]. 北京林业大学学报(社会科学版), 2012, 11(1): 44-48.
LI Chao, TIAN Guo-hang. Mobile Feeling from Angle of Art and its Application in Landscape Design[J]. Journal of Beijing Forestry University (Social Science), 2012, 11(1): 44-48.
Citation: LI Chao, TIAN Guo-hang. Mobile Feeling from Angle of Art and its Application in Landscape Design[J]. Journal of Beijing Forestry University (Social Science), 2012, 11(1): 44-48.

艺术学角度的“动感”及其在景观设计中的运用

Mobile Feeling from Angle of Art and its Application in Landscape Design

  • 摘要: 景观设计从一开始就汲取了艺术的设计语言。尤其是西方现代艺术对景观设计产生了巨大的冲击和推动,使人们的审美意识不断发生变化,影响了景观设计的建设和发展,并出现景观多元化的局面。从艺术学的角度,阐释动感在园林建筑、雕塑、绘画、舞蹈等方面的艺术表现及其在审美中的重要性,进而分析现代景观设计中动感元素的形体、空间、色彩、材质及其运用,从而建立景观新样式。

     

    Abstract: Landscape design has derived the design language of art from the beginning. The modern western art has especially produced a big impact and promotion on the modern landscape design. This leads to the change of peoples aesthetic consciousness, affects the construction and development of landscape design. Consequently, landscape diversity appears. This paper explains artistic expression of mobile feeling in application of garden architecture, sculpture, painting and dance. The significance of mobile feeling in aesthetic is also illustrated. The body, space, color and material of mobile feeling factors in landscape design are analyzed to build new landscape style.

     

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