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中国无患子历史文化研究古代文学、宗教文化、民俗文化

Historical and Cultural Research on Chinese Soapberry (Sapindus spp.): Ancient Literature, Religious Culture, and Folk Culture

  • 摘要: 无患子(Sapindus spp.)作为我国传统树种,不仅具有实用价值,更在长期历史进程中积淀了丰富的精神文化内涵,成为兼具自然属性与文化意蕴的多维符号。本文采用文献研究与田野调研相结合的方法,系统梳理无患子在佛教文化、古代文学与民俗文化三个维度的表现与演变。研究指出,无患子因佛教经典《佛说木槵经》被赋予修行法器的神圣地位,并广泛应用于各宗派的念珠修行与宗教仪轨,实现了从自然物到宗教符号的升华。在文学领域,文人墨客吸纳其佛教意涵,将无患子转化为表达超脱世事、追求心灵自由的审美意象,体现了从宗教崇拜到心灵抒写的文化转化。在民俗层面,无患子是菩提树的本土亚热带地区替代品,以进贡圣物成为国家与区域间的文化使者;更以其“无患”等象征意义深入民间,衍生出驱邪辟秽、祈福纳祥的信仰功能,反映了民众对平安生活的心理诉求。本文通过揭示无患子从宗教符号到文学意象、再到民俗载体的文化生成与辐射路径,不仅丰富了树木文化研究的内容,也为理解中国传统文化中物质与精神的互动、宗教世俗化与符号建构过程提供了典型案例,对当代文化传承与社会实践具有一定的借鉴意义。

     

    Abstract: As a traditional tree species in China, Sapindus spp. not only holds practical value but has also accumulated rich spiritual and cultural connotations over its long historical development, evolving into a multidimensional symbol that embodies both natural attributes and cultural significance. This study employs a combination of literature review and field research to systematically examine the manifestations and evolution of Sapindus in three dimensions: Buddhist culture, classical literature, and folk culture. The research indicates that Sapindus was endowed with a sacred status as a ritual instrument for Buddhist practice through its mention in the Buddhist scripture The Sūtra of the Beads of the Bodhi Tree, and was widely used in prayer bead practices and religious rituals across various Buddhist schools, marking its transformation from a natural object to a religious symbol. In the realm of literature, literati and scholars incorporated its Buddhist connotations, transforming Sapindus into an aesthetic motif that expressed detachment from worldly affairs and the pursuit of spiritual freedom, reflecting a cultural shift from religious veneration to personal expression. In folk culture, Sapindus served as a subtropical regional substitute for the bodhi tree, serving as a sacred tribute, it became a cultural envoy between nations and regions, and, with its symbolic meanings such as "warding off disasters", was deeply integrated into popular beliefs, giving rise to functions such as exorcising evil and inviting blessings, which reflect the public's psychological yearning for a peaceful life. By revealing the cultural generation and dissemination of Sapindus from a religious symbol to a literary motif and further to a vehicle of folk beliefs, this paper not only enriches the study of tree culture but also provides a typical case for understanding the interaction between material and spiritual elements in traditional Chinese culture, as well as the processes of religious secularization and symbolic construction, offering certain insights for contemporary cultural heritage and social practices.

     

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