返璞归真与森林审美
Return to Trueness and Forest Aesthetics
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摘要: 返璞归真是指去掉事物的外饰，还其原始的淳朴本真状态。在森林审美的不同层次中，“真”的表达各不相同。在森林景观层次，“真”表现为审美对象的客观存在性和真实性（情为景生）；在森林意象层次，“真”表现为人的真心真爱和真实情感（情景交融）；在森林意境层次，“真”表现为人的真性情和真感悟（天人合一）。“真”既是森林审美的逻辑起点，又贯穿于森林审美的全过程，体现审美的形式、内容和灵魂。Abstract: Return to trueness means getting rid of exterior trimming and returning to reality of a thing. On the different levels of forest aesthetics, the concepts of trueness are different. From the viewpoint of forest landscape, trueness is represented by the outwardness of aesthetics objects, which means the arousing of people’s emotion by forest landscape. From the viewpoint of forest image, trueness is represented by people’s sincere emotion, which means the fusion of people’s emotion and forest landscape. From the viewpoint of forest artistic conception, trueness is represented by people’s sincere disposition and inspiration, which means the unity of human and nature. Trueness is not only the logic origination of forest aesthetics, but also run through the whole process of forest aesthetics, and embodies the form, content and spirit of forest aesthetics.
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Keywords:
- forest /
- aesthetics /
- return to trueness
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期刊类型引用(4)
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百度学术
2. 苏孝同，苏祖荣. 文化的力量——1～6届全国森林文化学术研讨会的回顾与思考. 北京林业大学学报(社会科学版). 2016(04): 16-24 . 百度学术
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4. 刘畅，郭崇，丁蕴一，谭艳萍. 美国树文化研究最新进展——介绍一本新书《树木之生命与爱》. 中国城市林业. 2011(01): 65-69 . 百度学术
其他类型引用(1)
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