摘要:
随着城市建设和城乡一体化进程的加速,在全球化的浪潮中保持本土特色而又不失现代性的景观日益引起
人们的关注。方塔园融古典于现代,丰富乡土的含义,在本土文化的时代局限中注入了现代主义的全新含义,是现
代中国本土景观营造史上最早、最典型的案例代表。对比国内外学者对本土景观与乡土景观理解的异同,从批判
的现代性、场所精神、建构3 方面分析方塔园的本土意象,最后结合当代本土景观、建筑中的典型案例,分析并总结
本土景观现代化转型的基本对策。
Abstract:
With the acceleration of city construction and urban-rural integration, the landscape
architecture with both Chinese local characteristics and modern features has increasingly attracted public
attention in the wave of globalization. The Square Pagoda Garden roots in tradition but goes beyond it,
and integrates with modernity. It enriches the local culture and gives a new modernist meaning in the time
limit of local culture. The Square Pagoda Garden is the earliest and most representative case throughout
the history of local landscape design in modern China. In this article we compared the Chinese and
foreign scholars'understanding of the local landscape and vernacular landscape, then we proposed three
basic elements of the local landscape: a critical review of modernity, the culture nutrients based on the
local culture, and construction with expanding realities. Then the local imagery of the Square Pagoda
Garden is analyzed from three aspects: criticism of modernity, spirit of place, and tectonics. Finally, by
analyzing typical design cases of contemporary local landscape and architecture, we summed up the basic
strategies for the modernist transformation of local landscape.
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