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杨帆. 略论三《礼》丧礼制度中的农林器物[J]. 北京林业大学学报(社会科学版), 2023, 22(3): 109-114. DOI: 10.13931/j.cnki.bjfuss.2023109
引用本文: 杨帆. 略论三《礼》丧礼制度中的农林器物[J]. 北京林业大学学报(社会科学版), 2023, 22(3): 109-114. DOI: 10.13931/j.cnki.bjfuss.2023109
Yang Fan. A Brief Discussion on the Agricultural and Forestry Artifacts of the Funeral Ritual System in the Three Rites[J]. Journal of Beijing Forestry University (Social Science), 2023, 22(3): 109-114. DOI: 10.13931/j.cnki.bjfuss.2023109
Citation: Yang Fan. A Brief Discussion on the Agricultural and Forestry Artifacts of the Funeral Ritual System in the Three Rites[J]. Journal of Beijing Forestry University (Social Science), 2023, 22(3): 109-114. DOI: 10.13931/j.cnki.bjfuss.2023109

略论三《礼》丧礼制度中的农林器物

A Brief Discussion on the Agricultural and Forestry Artifacts of the Funeral Ritual System in the Three Rites

  • 摘要: 礼仪制度以物质为基础,儒家三《礼》中的丧礼部分记述了我国古代植物原材料大量应用于丧服服饰和丧礼用具。通过记载丧礼仪轨的《仪礼》《礼记》等篇章,可以看到古代的礼器制作会因地制宜地选取生产生活中的常见草木,通过“制物之性”与“托物言志”两种原则,使植物的自然与人文属性得以发扬,满足伦理生活的需要。其中,“制物之性”直接运用草木的物性,体现出对人与自然和谐统一的美好追求;“托物言志”则将植物的自然属性引入到人文世界中,通过草木的文化意涵抒情表志、送别亲人,这是中国传统哲学“推类”思维方式在礼制中具体而微的呈现。

     

    Abstract: The ritual system is closely related to material, and the funeral part of three Confucian classics, i.e., Yili , Zhouli and Liji, regulates that a large number of raw plant materials should be used in funeral utensils and clothing. This paper sorts out the relevant chapters of Yili and Liji , putting forward that the making of funeral utensils should choose common floristic materials according to local conditions, and follow two principles of "using the nature of plants" and "expressing aspirations through natural objects", so as to carry forward the natural and humanistic attributes of plants and meet the needs of ethical life. Among them, "using the nature of plants" directly considers the physical properties of floristic materials in making ritual vessels, which reflects the pursuit of harmony and unity between man and nature."Expressing aspirations through natural objects" introduces the attributes of plants into the human world, expressing emotions and bidding farewell to relatives through the cultural implications of plants, which is the concrete and subtle presentation of the thinking mode of "analogy" in traditional Chinese philosophy.

     

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