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俞香顺. 韩愈的花木审美特点与意义[J]. 北京林业大学学报(社会科学版), 2015, 14(1): 1-5.
引用本文: 俞香顺. 韩愈的花木审美特点与意义[J]. 北京林业大学学报(社会科学版), 2015, 14(1): 1-5.
YU Xiang-shun. Traits and Meanings of HAN Yu's Aesthetics of Flowers and Trees[J]. Journal of Beijing Forestry University (Social Science), 2015, 14(1): 1-5.
Citation: YU Xiang-shun. Traits and Meanings of HAN Yu's Aesthetics of Flowers and Trees[J]. Journal of Beijing Forestry University (Social Science), 2015, 14(1): 1-5.

韩愈的花木审美特点与意义

Traits and Meanings of HAN Yu's Aesthetics of Flowers and Trees

  • 摘要: 韩愈对众乐乐的牡丹、芍药等都缺乏浓厚兴趣。他超然于元稹、白居易等人的花木比德方式之外,对花 木移情保持着理性与克制。韩愈的花木观念根植于他的道统意识、儒学实践。韩愈独乐乐于高大的花 木以及人弃我取的花木,他的盆池审美、李花描写、杏花描写都对后代产生了深远的影响。韩愈虽然对花卉 审美不以为意,然而却无意而工。

     

    Abstract: Han Yu was not keenly interested in tree peony and Chinese herbaceous peony which were appreciated by many people. He held himself aloof from comparing one's virtues to flowers and trees like Yuan Zhen and Bai Juyi. Instead, he was rational and restrained about flowers and trees empathy. Han Yu's perception about flowers and trees was rooted in his orthodox awareness and confucianist practice. Han Yu was deeply in love with some flowers and trees which were tall and abandoned by most people. His appreciation of plants in pots, and description about plum and apricot had a profound impact on later generations. Even though Han Yu had never focused on the flowers aesthetic, he got unexpected achievements in this field.

     

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